Terry Habeger, Artist - Acrylic Paint on Clay and Canvas
Wall Pieces Altered Clay Form#2026 Altered Missle Form #2041 (another view) Altered Missle Form #2041 Altered Clay Form #2040 Altered Clay Form #2040 (another view) Altered Clay Form #2000 Pointed Clay Form #2039 Altered Clay Form #2025 Altered Clay Form # 1344 Painted Clay Slab Form #1933 (1st view) Painted Clay Slab Form #1933 (2nd view) Acrylic on Clay #1997 Acrylic on Clay #2004 Acrylic on Altered Clay Missle Form #2017 Acrylic on Clay Form #2016 Acrylic on Altered Missle Form #2015 Acrylic on Clay #2011 Acrylic Paint on Altered Form #2024 Acrylic on Clay Bowl Acrylic on Sculptural Clay Form Acrylic on Clay Form Acrylic on altered clay form Acrylic on Clay Acrylic on Clay Acrylic on Clay Acrylic on Clay Acrylic on Clay Acrylic on Clay Acrylic on Clay Detail - Acrylic on Clay Acrylic on Clay Detail - Acrylic on Clay Acrylic on Clay Acrylic on Clay Detail - Acrylic on Clay Acrylic on Clay Acrylic on Masonite Booth Acrylic on Clay
Terry Habeger paints with acrylics on sculptural clay forms, 3D and flat clay wall pieces, and on masonite and canvas.
Someone once referred to his abstract pieces as 'Internal Landscapes' and Terry liked that characterization. It is the combination of painted geometric variations with form that continues to intrigue him. Habeger started as a potter, consequently the forms were the first to evolve. When Terry began painting with acrylics on the forms many things changed as he had the challenge of a new medium and unlimited color control.
It is Habeger's love for the two mediums, clay and paint, that continues to excite and challenge him.
The sculptural clay forms start on the potter's wheel. Part of the wheel-thrown form is cut away and clay slabs are added that both penetrate and extend beyond the original form. The piece is fired, primed and handpainted with acrylics. Habeger also constructs sculptural clay slab forms. These are typically hard-edged and geometric in nature.
Terry's 3D wall pieces are contructed mostly from clay, but sometimes from masonite and foam core board as well.
Habeger textures the clay, board and canvas surfaces with several coats of a professional-grade acrylic paste before he paints. All of the paintings are finished with a coat of matte medium, which results in a uniform, semi-flat finish. Terry uses Golden acrylic products.